Bringing together distinguished philosophers, psychologists and music theorists, Music Analysis is proud to publish the first journal collection dedicated to the analysis of musical emotion. This special issue comprises selected proceedings from the inaugural International Conference on Music and Emotion, and marks the arrival of music and emotion as an analytical field.
- Contents:
Michael Spitzer, Guest Editorial:
The Emotion Issue
Derek Matravers:
Recent Philosophical Work on the Connection between Music and the Emotions
John Butt:
Emotion in the German Lutheran Baroque and the Development of Subjective Time Consciousness
Lawrence Zbikowski:
Music, Emotion, Analysis
Robert Gjerdingen:
Mozart’s Obviously Corrupt Minuet
Robert Hatten:
Aesthetically Warranted Emotion and Composed Expressive Trajectories in Music
Marcel Zentner:
Homer’s Prophecy: An Essay on Music’s Primary Emotions
Max Paddison:
Mimesis and the Aesthetics of Musical Expression
Michael Spitzer:
Mapping the Human Heart: A Holistic Analysis of Fear in Schubert
Tuomas Eerola:
Analysing Emotions in Schubert’s Erlkönig: A Computational Approach
Kenneth Smith:
A Science of Tonal Love? Drive and Desire in Twentieth Century Harmony: The Erotics of Alexander Skryabin
Tom Cochrane:
Using the Persona to Express Complex Emotions in Music
Simon Mills:
The Tale of the Three Young Brothers: An Analytical Study of Music and Communal Joy (Hŭng) in Korean Folk Culture
Giorgio Biancorosso:
The Shark in the Music
Patrik Juslin and Erik Linström:
Musical Expression of Emotions: Modeling Listeners’ Judgments of Composed and Performed Features
